Kat doodles about life and gets arty:
My dear readers, Let me first apologize for my absence on the blogging scene for the last two days. No, I have not given up or got lazy, it is the technology, which has let me down. We have some work going on in our area and although it has been bad, for the last two days my connection just completely disappeared, which made it quite difficult to post the type of files I was working on. Never mind, my mac mini is definitely sending the unwanted message that it will soon leave to Silicon valley after more than many years of loyal service, as it cannot longer pick up better network signal than a simple mobile phone. And I am not even talking about my mood after Photoshop quit, just about when I was going to save the image I have created. 1:30 am I thought ‘I am off to bed, going to work tomorrow morning, I am not even going to tilt the windmills’.
Anyway so today’s post is one of my homeworks I had to do during the course Designing for Interiors. We got simple black and white drawing of a room with different requirements and change it by using different colours, tones, etc. Today I am posting: A ROOM WITH A HIGH CEILING THAT NEEDS TO FEEL MORE INTIMATE. There will be three more to go.
Now how do we do this? Feeling cosy is usually is associated with warm colour, however in my example there two options. I have picked up Farrow and Ball, the one before the latest colour series, because I do love their tones, and in warm version I have picked up colour Straw for ceiling and Hay for walls and in “colder” version Pelt and Brassica. Now when say cold in brackets it is not exactly true, they may appear that way, however they have a bit of red mixed in, which still makes them fairly warm. The reason why I am choosing those darker tones on the ceiling is because we want to bring down. Almost as you would feel claustrophobic. Not completely, but if it is a big space, you just want to bring the walls and ceiling bring a bit more closer to you to get that cosy feel. My examples are pretty contrasting, so if you are not convinced just simply experiment with one colour in lighter versions.
What you may also think about is the application of the paint. In the first picture I have used the ceiling colour on architrave, picture rail and skirting board. Depending on what is in the room, I personally think you could even use it partly on the door or details of the furniture. In the second picture I have done something different. I have introduced third colour, which is Farrow and Ball Plummett on architrave and skirting board and picked up picture rail in the ceiling colour just to give it a bit of edge.
Great example of what I am talking is a house of my friend Sarah, who is a photographer and recently just painted her wall in very deep dark grey called New York by Crown. You would think, never in million years I would do that, BUT! It would surprise how lovely it looks. Obviously you have to be quite selective with how much of the room you paint, but you notice how many other colours are hiding in that grey and how they bounce off each other. Morning and general day light make the grey totally different to when it is evening and there are three different light sources on picking up and bouncing off the colours of red and orange sofas, armchairs, and wooden tables. The house is still work in progress, but even just using that grey in tiny little upstairs bathroom on one wall made a massive difference and turned shabby space into posh attic bathroom, well at least for that first impression look before she gets on with fully renovating that whole area. If you are still unsure I recommend checking out interior designer Abigail Ahern. She is bonkers! But great!
Back later or tomorrow with the rest, depends how much patience and network I will get. Kat xx